Um junge Menschen wieder für Europa zu begeistern und ihnen interkulturelle Begegnungen zu ermöglichen, stehen 2018 in Deutschland im EU-Bildungsprogramm Erasmus+ 40 Millionen Euro für Fortbildungen und Partnerschaftsprojekte im Schulbereich bereit. Erfahrene Lehrkräfte, die Kultusministerien und der PAD unterstützen Schulen. Aus diesen Gründen sind wir die Gemeinschaftsschule Wiestor hier mit dabei und leisten unseren Beitrag, für unser Europa, für unsere Schule und für unsere Kinder!
A28/ A31: Music and Mathematics
Music and mathematics was the subject of a three-month project with the upper international class (IVK) in Wiestorschule Überlingen.
The relationship between rhythm, melody and harmony is the basis of European music culture. The connection of rhythm and metre is a further characteristic of classical music.
This was the start of our training.
Among the Arabian und European schoolchildren we observed very different habits and skills concerning a feeling for rhythm. Practicing very hard for several weeks, we succeeded in composing a short musical invention using the following elements:
one pupil was playing a metre on a djembé
two pupils were conducting the sequence of the 3 and 4 times tables, fitting in the metre
the other pupils were playing the multiplication tables from one to seven on gongs
How does it feel, to hear music based completely on mathematics, or multiplication table?
Erasmus – Kinderbilder
Vincent van Gogh Tulpenfelder
A 12 Discovering artists from
21 May 1471 Nürnberg (Germany)
6 April 1528 Nürnberg (Germany)
was a painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe when he was still in his twenties due to his high-quality woodcut prints. He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I.
Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts, such as the Apocalypse series (1498), are more Gothic than the rest of his work. His well-known engravings include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium.
Dürer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective, and ideal proportions
The rabbit 1502 Rhinocerus1515 Praying hands 1508 Adam and Eve 1507
Friedensreich Regentag Dunkelbunt Hundertwasser
December 15, 1928 Vienna (Austria)
February 19, 2000 Pacific Ocean aboard the RMS Queen Elizabeth 2
was an Austrian-born New Zealand artist and architect who worked also in the field of environmental protection. His real name being Stowasser, his pseudonym Hundertwasser (by which he is known worldwide) comes from sto in Slavic languages, meaning "hundred".
He stood out as an opponent of "a straight line" and any standardization, expressing this concept in the field of building design. His best known work is considered Hundertwasserhaus in Vienna, Austria which has become a notable place of interest in the Austrian capital characterized by imaginative vitality and uniqueness.
Houses in the snow 1962 Cathedral 1951 Blobs grow in the beloved